In many ways, Shame, the new album from 27-year-old Nashville Americana songwriter and multi-instrumentalist Rachel Baiman, is an exploration of growing up female in America. “I wasn't necessarily trying to write songs that would be easy to listen to”, Baiman says of the project, “I wanted to write about reality, in all of it's terror and beauty.” From the title track about abortion politics, to love, sex, and abuse in relationships, to classism and inequality in her re-write of Andy Irvine's working class anthem “Never Tire of the Road,” the album is ambitious in its scope, yet remains cohesive through Baiman's personal perspective. Despite the serious subject matter, the overall feeling of the album remains light, with the tongue-in-cheek “Getting Ready to Start (Getting Ready)” and feel-good anthem “Let them Go To Heaven”. A departure from her stripped-down work with progressive folk duo 10 String Symphony, Shame is lush and varied in instrumentation and musical texture. Inspired in equal parts by John Hartford and Courtney Barnett, Baiman's influences span a wide range, but years spent playing traditional music shine through in the album’s firmly rooted sound. For recording and production, Baiman turned to the talents of Mandolin Orange's Andrew Marlin. “At the time that I was writing the music for this record, I was listening to all North Carolina-made albums, including Mandolin Orange and the album Andrew produced for Josh Oliver (Oliver is also featured heavily on Shame)." Shortly after reaching out to Marlin, Baiman traveled to Chapel Hill, NC for three intensive days in the studio. "The energy was amazing," Baiman says. "It became clear that we were making something really special that needed to be finished.”
Added to the musical intensity was the context of the material they were recording - namely, how the songwriting on Shame sits within the current American political climate. "I think what is happening in the country right now has really shifted my career priorities, and brought the folk music community together. We are all suddenly seeing our purpose come into focus, and feeling a renewed responsibility to be a voice of unity and resistance.” In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.
Baiman is no newcomer to activism. Raised in Chicago by a radical economist and a social worker, she was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents I could have become a finance banker or a corporate lawyer” she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school” she says with a laugh.
As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful, and productive that I could put into the world. Now that I've had some years to devote to music,”--Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling--“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I've experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.”
credits
released June 2, 2017
Produced by Andrew Marlin
Recorded, Mixed and Mastered in Chapel Hill, NC at The Rubber Room
By Andrew Marlin and Jerry Brown
Mastered by Jerry Brown at The Rubber Room in Chapel Hill, NC
Artwork, Photography and Design by Gina R. Binkley
Musicians:
Rachel Baiman, Andrew Marlin, Josh Oliver, George Jackson, Emily Frantz, Libby Rodenbough, Andrew Small
All Songs by Rachel Baiman
except:
"Gettin' Ready to Start (Gettin' Ready)" By Rachel Baiman, Taylor Ashton, and Maya de Vitry
"Wicked Spell" by Michael Bowman
"Never Tire of the Road" by Andy Irvine with additional lyrics by Rachel Baiman
"In the Space of A Day" by Rachel Baiman and Caroline Spence
"Let Them Go To Heaven" based on a poem by Ishmael Reed called "When I Die I Want to Go to Jazz"
Raised in Chicago, Baiman made her way to Nashville at 18 with the dream of being a
professional fiddle player and has
since released three solo records and an EP, alongside
session and side-person work with Kacey Musgraves, Kevin Morby, and Molly Tuttle
among many others. As a songwriter, she has garnered a reputation for her specific
brand of political and personal lyricism....more
Sierra Ferrell's music is the nectar that drips from vocal chords of angels on ecstacy and percocet, dripping with honey, and smelling of grandma's brownies. It has been proven to "cure what ails ya", and it temporarily wards off the existential dread that is slowly encompassing us all. Don't let the absurdity of our existence get you down. Listen to Sierra Ferrell instead.
I am me and I approved this message. oldmanj716
The instrumentation and songwriting in this album is really top-tier. Aofie is one of my favorite folk/alt-country artists and she performs wonderfully, bringing her unique tone of voice to this project. This album was my first step into Aofie's artistry, and is firmly one of my favorite albums. rileyridgway
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Powerful collection rooted in the stories that must be re-told. Played by some of the most generous community music people I’ve met during my foray into Old Time music.
This CD is a keeper! Ellen B. (Elly) Marshall